Superman’s pal, Jack Larson

I’ve been reading an excellent book, The Horror! The Horror!, by Jim Tombetta, about the short-lived horror genre of comic books, in the first half of the 1950’s. In response to public pressure, resulting from Senate Subcommittee hearings led by Estes Kefauver (D-Tenn), the industry censored itself with a regulatory agency called The Comics Code Authority — which, as of last week, seems to finally be at an end. I’ve always felt the weakness in the defense of the comic book industry, in testimony by E.C. publisher William M. Gaines, was his failure to cite radio shows like Suspense and Inner Sanctum as inspirations for the horror stories. Those programs were very popular with both kids and their parents.

That same period of time saw one of the all-time greatest comic book creators, Carl Barks, hit his stride, working in the funny animal genre. Superheroes, the formerly dominant genre, had fallen on hard times after WWII, and had yet to recover in the mid-50’s. One thing that helped bring it back was the success of The Adventures of Superman on TV, which had previously been a radio series, and a movie serial.

Watching the DVD set of the series, it started out as a surprisingly hard-hitting, and often spooky, drama, but like comic books it lost its edge and lightened up. Throughout the show’s run, Jimmy Olsen was played with great spirit by Jack Larson. Some years ago, Denro and I saw Larson in Boston, introducing a collection of Superman shows, and talking about the series and his life since then. One of the screenings that evening was the pinnacle, or nadir, of Superman silliness, a pilot for a proposed Superpup series. This brief bit of video was taken from a 2006 TV special, narrated by Kevin Spacey, who played Lex Luthor in Superman Returns; a movie that did nothing wrong, yet failed to spark imaginations.

Now THAT’s what I call horrible! Here’s Jack Larson in an interesting recent interview. He’s slowed down from his “golly gee” youth, but Jack’s still as personable and engaging as ever.

http://www.youtube.com/watch?v=NjV9H35Hu5w

A more extensive video interview with Larson, from the Archive of American Television, can be found at this link. I would have embedded it here, but it’s an unlisted YouTube video.

Al Williamson’s Flash drive

It’s been only a month since Frank Frazetta’s passing, and now Al Williamson is gone, too. They did some outstanding work together at EC. If Frazetta’s forté was fantasy, Williamson’s bent was more for science-fiction.

I first saw Williamson’s work in 1966, in issue #1 of the Flash Gordon comic-book series, from the short-lived King Comics line. Here is a sample of what I saw when I was but a wee lad of ten. The artistry in these pages is stunning, compared to many of the comics that were being published at the time.

Williamson worked in a style inspired by Alex Raymond, who is my pick for the all-time greatest artist of adventure comic strips. Younger fans came to know Williamson from his run on Star Wars. By that time, Al was being assisted by Carlos Garzón, from Bogotá, Columbia, where the American-born Williamson had grown up.

The last time I saw Williamson at a comics convention he still had something of the brash, young artistic turk about him, despite being in middle-age, and he was still very much a lady’s man. He was a rare breed, who updated a classic style of illustration, while staying true to it. Williamson and Frazetta were to comic books what the Method was to acting, where tried-and-true techniques of the past were reinvigorated with an independent, cutting-edge, attitude.

Speaking of Frazetta, his most famous ink drawing was recently bought by Heritage Auction co-founder Jim Halperin for $380,000. It was drawn for a Famous Funnies issue of Buck Rogers, but it ended up as the cover for the EC book Weird Science-Fantasy #29.