Dick Cavett, who I once met, managed to turn the topic of conversation over to himself before taking a break in this excerpt of an interview with Janis Joplin from 7/18/1969 — just one month before Woodstock. No mention is made of Linda Ronstadt, who would soon take the mantle of “leading lady of Rock.” Cavett asks Joplin, “Are there any male groupies?” To which Janis replies, “Not near enough.”
… there was “Not Only… But Also,” with Peter Cook and Dudley Moore.
Barely six months before England and Germany were at war, Lawrence Olivier, Ralph Richardson, and Valerie Hobson (from “Bride of Frankenstein”) appeared in “Q Planes.”
Mark Gatiss, who plays Mycroft to Benedict Cumberbatch’s Sherlock, surveys the field of horror films, starting from not quite their beginning.
A couple of things came to mind while watching this. Gatiss was, of course, working within a time limit, but for all of the attention he gave to James Whale, there isn’t even a mention of “The Invisible Man.” It also features the now late Gloria Stuart, who Gatiss interviewed regarding “The Old Dark House.” Stuart talks about the difficulty she had working for Whale, but he liked her enough for a return performance.
Boris Karloff was well-known for his distinctive voice, but for his most famous role he only spoke a few words. Gatiss is right to praise the superb “Bride of Frankenstein.” Universal used Franz Waxman’s outstanding score many times over, most notably in the “Flash Gordon” serials with Buster Crabbe.
A computer-generated simulation, purportedly based upon the best-known accounting of events, of the sinking of the Titanic.
George Martin made it past the 50th anniversary of “Rubber Soul,” the last album engineered by the late Norman “Hurricane” Smith. It would have been nice for him to have lived to see the 50th anniversary of “Revolver,” the first album engineered by Geoff Emerick, but it was not to be.