It’s going to be a while, probably well into 2015, before we see Stephen Colbert on CBS, shorn of his faux cable news persona. The truth is that I am rarely staying up late enough on weeknights anymore to watch Colbert, so I use the DVR catch up on the weekends.
Internet pioneer Vint Cerf was on The Colbert Report recently, and although he was interesting he took too much credit for himself and Bob Kahn. Why no mention of Bob Taylor, who originally envisioned the Arpanet and got it up and running before joining Xerox PARC? Cerf should also have given an up-front shout-out to Tim Berners-Lee, who invented the World Wide Web which is, let’s face it, what most people think the Internet is.
Shelley Fabares is sad, and I’m sad too, because Aereo, the online DVR service, has shut down. I wasn’t surprised by the Supreme Court’s ruling that brought Aereo to an end, but what shocks me is that I’m forced to agree with Justice Scalia! Broadcasters may have won this battle, but they have already lost the war, just as the music industry had when they shut down Napster.
Now that Reed Hastings, CEO of Netflix, is agreeing to pay cable TV providers what I consider to be, in essence, protection money, he’s feeling free to criticize the deals. And he should, because the problem has nothing to do with Netflix using up a lot of ISP bandwidth. It’s the inherent conflict of interest that cable providers have by also being Internet service providers.
Cable TV companies collect the money for HBO subscriptions but they don’t collect the money for Netflix subscriptions. That’s what is driving them crazy. Their extremely profitable business model is falling apart and they’re desperate to force Internet video to be part of the old model. They want to sell the Netflix channel to their customers the same way they sell premium cable TV channels. Well, that just shouldn’t happen, because if the argument is that Netflix is using their bandwidth then they will have to charge every Internet service an additional fee for using the bandwidth, whether or not they compete with their cable TV business — bandwidth that their customers are already paying for.
This 1956 educational film from RCA explains the process of recording, producing, and manufacturing vinyl records. Stereo recording was a very new innovation at the time, and stereo records as we know them weren’t available until 1958. Note that 12″ LP’s were introduced by Columbia, not RCA, which developed the 7″ 45 rpm format for singles.
Has the Microsoft online Fixit routine ever actually fixed a problem? I never has for me, yet every time I’m prompted to try it I do.
I had lots of fun calibrating the video projector. Assuming my consumer-grade colorimeter is reasonably accurate, the test numbers indicate that the picture is now just about perfect. Fifteen years ago, when I bought the Sony 32XBR100 TV, which is still working fine by the way, after first adjusting it I watched the then newly-restored “Vertigo” on LaserDisc. I watched it again today, but streaming from Amazon.
“Vertigo” is now at the top of some lists as the greatest movie of all time, beating out longtime champ “Citizen Kane,” and I have to agree with that assessment, on the basis of the premise that a man’s obsession with a woman is inherently more interesting than a man who is obsessed with himself. At the more trivial end of what makes “Vertigo” interesting is a magazine in Jimmy Stewart’s apartment. There’s a copy of Swank, which was one of the many periodicals published by Martin Goodman, Stan Lee’s boss at Marvel (then Atlas) Comics.
By coincidence I happen to be reading an excellent book, “The Secret History of Marvel Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman’s Empire” by Blake Bell and Dr. Michael J. Vassallo, which goes into detail about the creation of Swank to compete with Esquire, only to fail in competition with Playboy.
Follow-up: The authors of “Secret History of Marvel Comics” tell me that the magazine does not appear to be a legitimate issue of Swank — “The cover doesn’t match up to either any of the Martin Goodman issues, nor any of the earlier incarnations. So it seems it was a mock-up for the movie.”