Category: Radio

Hi-Five for Hi-Fi

The death of pioneering radio producer Norman Corwin, age 101, received some attention this week, but I’d like to point out another recent death. Edgar Villchur, only seven years younger than Corwin, was a pioneer in home audio. Villchur can take some of the credit — some would say blame — for the home hi-fi craze in the 1950’s that drove many a wife crazy, if not out of the house.

Villchur started Acoustic Research in Cambridge, MA, and his sealed box design, the so-called acoustic suspension speaker, proved that low frequencies could be reproduced in a home without a gigantic cabinet like another legendary speaker had, Paul Klipsch’s Klipschorn. The trade-off was efficiency. Acoustic suspension speakers require a lot of power.

In 1957, the year before Villchur introduced the legendary AR-3 loudspeaker, Herman Horne on Hi-Fi was a 3-part parody on The Stan Freberg Show, a radio series on CBS. The entire run of the show is on archive.org, but with only so-so sound quality. I’ve assembled the Herman Horne segments, taken from the Smithsonian Historical Performances CD collection of the show, and it’s obvious that only part 3 came from the original magnetic tape.

[audio:http://s3.amazonaws.com/dogratcom/Audio/2011/Oct/HermanHorne01.mp3,http://s3.amazonaws.com/dogratcom/Audio/2011/Oct/HermanHorne02.mp3,http://s3.amazonaws.com/dogratcom/Audio/2011/Oct/HermanHorne03.mp3|titles=Stan Freberg: Herman Horne on Hi-Fi,Stan Freberg: Herman Horne on Hi-Fi,Stan Freberg: Herman Horne on Hi-Fi]

Note how Freberg changed the voice of the character, making it more comical in the second and third installments. A lot of what he made fun of about audio fanatics is still quite true today. I think the only real difference is there isn’t much of an emphasis on sound effects.

Boston, you’re my home

Boston radio station WGBH is named after the Great Blue Hill, the site of the station’s antenna (the TV tower is elsewhere). In addition to its three over-air HD stations, WGBH has online stations, including one that plays The Jazz Decades, the long-running series about the music of the era between WWI and WWII that was hosted by the late, great Ray Smith.

For those who prefer being up-to-the-minute, there’s WGBH Local Indie, a service devoted to Boston area indie bands. Last night on the Roku player I caught the tail end of a song that sent me grabbing for the netbook to find out what it is. It’s When He Comes Home, by the Banditas. The timeless, essential, stripped-down sound of garage bands lives on!

And now… sports! The Boston Red Sox had their all-time worst end-of-season collapse this year, and it’s all my fault, as Denro explained to me:

I still say that you cursed them after that rainy rescheduled “Irene” game in late August. That’s when it all fell apart. They never won two games in a row after that. It came out today that some players resented the owners for the rescheduling of the games, so you sowed the seeds of dissension, as they all read your blog.

Yes, I know, and I’m truly sorry! But let’s please try to forget the unpleasantness of this terrible year’s debacle and its front office fallout, and look back with our friends across the pond at the BBC, to the stunning success of 2004, when the Sox broke the Curse of the Bambino.

[audio:http://downloads.bbc.co.uk/podcasts/worldservice/witness/witness_20111015-0900a.mp3|titles=BBC Witness: 2004 Red Sox]

Rewound the years

You say you want oldies, but you’re tired of hearing the same songs over and over on your local station? You want the fun and surprises of hearing EVERYthing from the first 20 years of Pop-Rock music? You want Rewound Radio. Brought to you by the folks who run musicradio77, a tribute to the world’s greatest Top 40 radio station, 77 WABC in New York.

It’s a ’65-’74 no repeat Columbus Day weekend on Rewound Radio. They say “Turn it on and… Leave it on all holiday weekend!” and that’s exactly what I’m doing. Click here for a complete list of online listening options.

CBS Radio blocks online streams

CBS Radio has started selectively blocking online access to its stations. Radio.com on a browser works, but I use a Logitech Squeezebox Radio in my bedroom. This is what I hear when I try to listen to WBZ-Boston.

[audio:https://s3.amazonaws.com/dogratcom/Audio/2011/Aug/CBS_radio.mp3|titles=CBS Radio blocking stations]

Tunein.com now redirects to Radio.com, which doesn’t work with a Roku media player. I don’t know or care who CBS Radio is making happy by doing this, but it’s not me, and I have no intention of returning to AM radio to hear WBZ in the house.

Follow-up: There’s a workaround. I used the URL that’s been working in the Chumby.

In living color

RCA CEO David Sarnoff was a ruthless businessman. His great insight and accomplishment was seeing the potential of broadcasting as an entertainment medium and making network radio and television a reality. But Sarnoff didn’t hesitate to steal technology, as he did from Philo T. Farnsworth, and he crushed the great inventor Edwin Armstrong, who had been a close friend.

Having said that, RCA’s engineers did an exemplary job of creating the all-electronic NTSC color television system that was backwards-compatible with existing black & white sets. It was Ampex, however, that introduced b&w video tape recording in 1956. Two years later, RCA modified an Ampex deck so it could record in color, and the amazing results are in this video. If only this technology had been available during WWII, we would have an entirely different historical perception of the era.

Information on the restoration of this historic recording is at this link.

Smile, it’s radio

A UK study by the Radio Advertising Bureau says that — surprise! — radio is great. Better than watching TV, and better than surfing the net. Despite the lack of impartiality, I think the study’s conclusion is right. At least for me it is.

As I’ve said many times, I’m a fan of BBC Radio 2, but I also enjoy listening to BBC Radio 4, “a speech station for curious minds.” There are lots of great documentaries and all sorts of dramatizations of great breadth and often depth, like Brian (friend of the blog) Sibley’s adaptation of Mervyn Peake’s strange, densely-packed novel Titus Groan. The production is excellent, with lots of aural treats, but this is not a programme that can be appreciated casually, so I recommend listening on headphones. The BBC doesn’t keep everything online forever, but for an intricate series like Titus Groan one would hope they’ll continue to make it available for some weeks.