Gimme Some Lovin’, My Boy Lollipop

A few years ago, a retired A&R man (artists and repertoire) named Chris Peers contacted me, requesting help putting him in touch with Prue, which of course I was glad to do. Peers was involved with Chris Blackwell and Island Records at the beginning, before branching out on his own. One of the acts he worked with was the Spencer Davis Group, with Stevie Winwood, as he explains in this video. Peers told me that he had a heck of a time pitching the band in America, before finally landing a deal with United Artists.

And this, of course, was the song that broke the top 10 for the Spencer Davis Group in America.

There is a (Christmas) Season (Turn, Turn, Turn)


Another post about a turntable? This one is exclusively at Best Buy. It’s a Pro-Ject Carbon Esprit SB, which is considered to be an excellent table. The list price is normally $600, but this one costs an extra fifty bucks because it’s a Beatles Edition.

A competitor of Pro-Ject, called Rega, had a Queen special limited edition turntable that originally went for the same price, but it was eventually offered at a discount. I’m not in the market for a new turntable myself, having just replaced the broken RCA plugs on my 30-year-old Thorens turntable, but I’ll be interested in seeing how well the Beatles table sells.

The other Beatle George

George Martin at the EMI REDD.51 Stereosonic 4-track mixing console, on which almost all of the Beatles recordings were made until "Abbey Road"
George Martin at the 1959 EMI REDD.51 Stereosonic 4-track console, on which almost all of the Beatles recordings after “A Hard Day’s Night” and before “Abbey Road” were produced.

George Martin made it past the 50th anniversary of “Rubber Soul,” the last album engineered by the late Norman “Hurricane” Smith. It would have been nice for him to have lived to see the 50th anniversary of “Revolver,” the first album engineered by Geoff Emerick, but it was not to be.