Ya know, despite the appallingly stupid fight at the drunk party (are there any other kinds of fights at drunk parties?), I think I’m going to see Iron Man 2 again, especially because at the last minute Eric couldn’t go, due to something going on at school. I wouldn’t have gone at all, but I’d already bought tickets and Bismo was there with his son. This is the opening scene and, trust me, it’s much more impressive in IMAX than it is here, with 640×272 pixels. If you click the full screen button the player should hold the correct shape of the image.
The giant of fantasy illustration is gone. Frank Frazetta, one of the most influential and imitated commercial artists of the 20th century, a singular and unique force in his craft, died Monday.
From comic book stories, to ghosting L’il Abner Sunday strips, to magnificent paintings for paperback book covers, Frazetta set a standard of such high caliber that, although he may have had contemporaries, he had no peers.
Figure drawing. For Frazetta, that was the thing. He loved drawing men and women. The human form, imbued with an innate fierceness, and an undeniable animal sexuality. Sometimes he drew the inhumanly human form!
Let the work speak for itself. First, some pencil drawings. A quick sketch done for a friend, using a pencil stub on cheap paper…
… and a couple of tightly-rendered samples for Flash Gordon.
Next, here are some works in pen and ink. A sketch for a John Carter of Mars book cover…
… and a Johnny Comet Sunday comic strip.
Finally, what Frazetta is known for best. His oil paintings. Two Conan the Barbarian paperback book covers…
…and higher-quality scans of the paintings. You’ll definitely want to click these to enlarge. Note the changes that Frazetta made to the original version of Conan the Buccaneer.
The original for the painting on the left, for Conan the Conquerer, sold last year for $1 million.
…to this, because by the time I was in high school, reading comic books was decidedly not cool. It’s amazing to me that the Marvel Comics I loved as a kid in the 60’s have become the basis for widely popular and hugely successful major movies.
The second Iron Man movie has been getting mixed reviews. My capsule comment is there’s an incredibly stupid drunk party fight in the middle, but other than that it’s absolutely terrific, if you can stand the usual mayhem of excessive explosions at the end. Here is the Boston Globe’s take on Iron Man 2. I agree with everything they say, but I don’t take as many points off as they do for the movie’s failings.
P.S. There’s a kicker after the end credits that has me a bit worried about the upcoming introduction of Thor, and how well the character will translate to the semi-reality of the big screen.
The Iron Man 2 blitz is on, and Dr. Pepper has a fun commercial tie-in. Hey, there’s shameless Stan Lee, making one of his cameos. Note: the first appearance of Iron Man (Tales of Suspense #39, 1963) was scripted by Stan’s brother, Larry Lieber.
P.S. Disney has this ultra-cute 4 GB Iron Man USB flash drive (I discourage use of the terms “jump” or “thumb” drive).
A tip o’ the ol’ Dog Rat virtual toupee to my friend Morris for tipping me off to a guest appearance by Stan Lee tonight on the CBS sitcom ‘The Big Bang Theory.’
Denro is heading to New York for a comic book show at the Hotel Pennsylvania. Seventy years ago, the Cafe Rouge at the hotel was a hotspot for hipsters to hear the biggest of the big bands, Glenn Miller and his Orchestra…
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