Listen to this tone-deaf former CEO of Continental Airlines, commenting on a passenger — claiming to be a doctor — being forcibly dragged off of a United Airlines plane. The customer’s crime? Refusing to take $800 to voluntarily give up his paid-for seat on an overbooked flight. Apparently, when there aren’t enough takers on these offers, a computer program determines who the best candidates are to be bumped, in order to accommodate customers with more expensive tickets. Follow-up: it’s been reported that four seats were needed for employees of United Airlines.
The condescending tone is unbelievable. He actually says the passenger acted, “like a child that didn’t want to leave.” Then he praises the CEO of United Airlines for being a nice man, and “a really human fellow.” This sort of an attitude is not only infuriating to customers, it is counterproductive to companies. Obviously, United is not nice or human, otherwise they would have a more flexible policy to deal with these situations.
United should have offered more money until somebody said yes. Would this lead in the future to passengers staying put to bid up the price before agreeing to deplane? Sure, which was undoubtedly why the ceiling was set by management at only $800. But now, between the bad publicity and the lawsuit that will undoubtedly be forthcoming, United stands to lose much more than what it otherwise would have cost the airline.
James Warren ran a rather unique publishing company. He didn’t pay top dollar for top talent, and instead offered creative freedom that attracted some of the best artists working at the time to draw stories in Creepy, Eerie, Blazing Combat and, later, Vampirella. The contributors included Frank Frazetta, who was painting covers for Warren during the period he was also creating his famous Conan the Barbarian covers for Lancer.
Somebody must think that the Warren catalog is in the public domain, because there’s a scanned archive of many Warren magazines available at this link on Archive.org.
Issue #7 includes this concise Frazetta biography. I replaced the fan art on the page with the cover of Creepy #4.
Here’s a fun musical novelty that I somehow hadn’t noticed until now. James Darren, Paul Peterson, and Shelley Fabares were the “Teenage Triangle.” The title and cover design of the album implied a romantic competition for Shelley’s affection, which is a bit odd considering that Paul had played Shelley’s kid brother on “The Donna Reed Show.”
The first album did well enough to rate a follow-up. A lot of the songs sound as though they were intended to appeal to parents more than their teenage children.
Darlene Edwards, because you asked for it, Morris!
My friend Morris will appreciate my saying this. I think this is absolutely superb.
I hold this in equal esteem. Both were recorded, coincidentally, in 1959, in the same studio.